Tropiflora sells sturdy, four wire, rust-resistant, galvanized steel wire hangers. A permanent hanging hook is formed at one end and the other ends are straight, ready to be bent into the type of hook needed to hang your basket or pot.

This plant happens to be one of the best in the cold-hardy category. We have seen this species survive light freezes with no damage. The plants grow to about 18 inches tall in a funnel-form rosette, with fairly wide green leaves, heavily blotched with dark brown or black. The inflorescence is a long lasting cluster of short branches in flaming orange and yellow.

An attractive pot plant or hardy landscape plant, cylindrical spike with rose-red bracts and yellow flowers. A medium sized clustering plant with an upright rosette shape and short stolons. The green foliage has a dusting of trichomes giving a slight grayish appearance.

*VIPP plants are Offsets

 

Aechmea nudicaulis ‘Alba’. This is a handsome curiosity from the hugely variable nudicaulis group. A medium sized plant at about 12 to 16 inches tall, narrowly tubular, with a deep ‘thumb print’ near the base of each leaf. The leaves are green and the bracts and flowers are both white. First brought into cultivation by Wally Berg from one of his Brazilian trips.

*Domestic shipping only

A tall grower in strong light, to about 24 inches in an upright, tubular rosette. The dark green leaves have silver banding on the undersides and large black spines. The bloom color is bright yellow-orange. Post bloom color is red and lasts for several months.

*Domestic shipping only

A nice form of this variable species which was collected by Berg and Anderson in Brazil. This form has stiff leaves, an upright, tubular shape, and the classic ’thumb-print’. The leaves are gray-green with silvery bands and the inflorescence is a compact cone with yellow flowers and bright red bracts.

*Domestic shipping only

Nice plant for mounting, with upright, somewhat tubular stoloniferous rosettes to about 8 inches or so. The leaves are green with dark bases, tiny spines and the spike is a delicate panicle of dark gray and blue. Very attractive in clumps, it is also a good choice for terrariums.

A cultivar of recurvata, probably var. benrathii, with very dark, almost black, bases.  A clump forming plant that stays at about six inches tall or less.

*VIPP plants are Offsets

Somewhat squat plastic pots, three quarters as tall as wide, with drainage holes. This is the most common style of pot that we use here at Tropiflora and are pretty much the “industry standard” for most production of tropical plants and succulents. 

We only stock in forest green.   We do not carry other colors. 

Tropiflora's Air Plant Food Soluble 20-10-20

This is a good quality, versatile formula for epiphytic plants. This fertilizer does not use urea as a nitrogen source, as it is not usable by epiphytic plants. Water soluble, it can be used in daily irrigation or applied at intervals. Will not burn foliage at recommended rates and does not stain foliage. This is the fertilizer we use here at Tropiflora for our bromeliads, orchids and all epiphytic plants.

Guaranteed Analysis: Total Nitrogen (N) 20% 7.90% ammoniacal nitrogen 12.10% nitrate nitrogen Available phosphate (P2O5) 10% Soluble potash (K2O) 20% Magnesium (Mg) 0.10%Boron (B) 0.02%Copper (Cu) 0.025% Iron (Fe) 0.05%Manganese (Mn) 0.025% Molybdenum (Mo) 0.0029% Zinc (Zn) 0.025%

Application Rates: Constant Feed: A rate of 50 to 150 ppm of nitrogen is recommended. For bi-weekly applications: Use at the rate of 1½ to 2 tsp per gallon of water. Monthly: 1 to 1½ to tbs/gal.

This is our standard all around fertilizer we use at the nursery for pretty much everything.  The controlled release fertilizer has 5 to 6 months of constant feed at an average temperature of 70° (F).  Of course in warmer conditions the time release is much faster shortening the life span to 3 to 4 months.  It can be incorporated in any potting media at a rate of 1/2 to 1 teaspoon per 6-inch pot or broadcast at a rate of 2 to 3.5 ounces per square yard or cubic foot of mix.

 

Useful for many epiphytic plants and essential for Vanda culture. These sturdy, well made baskets are manufactured in Central America from Cedrela odorata, or Tropical Cedar, which has a cedar fragrance and looks like mahogany.

The source of this wood for baskets is mostly as a byproduct of furniture manufacturing, it is long lasting, non toxic to plants and resists rot. The galvanized wires that hold the slats together are of a heavy gauge to last for years.

Tropiflora sells sturdy, four wire, rust-resistant, galvanized steel wire hangers. A permanent hanging hook is formed at one end and the other ends are straight, ready to be bent into the type of hook needed to hang your basket or pot.

We offer cork pieces already broken into useful sizes, especially useful for those who may find it difficult to break pieces up by hand. Thickness varies from about a half inch to an inch and weighs 2 ounces (small) and 6 ounces (medium) each.

This material is widely touted to be the best and most durable substrate for mounting epiphytic plants; resisting rot and pests and lasting for many years under greenhouse conditions. The upper surface is rough and craggy and the underside, harder and fairly smooth. This product is harvested sustainably in Portugal from Quercus suber, the cork oak, and it's main use is for bottle stoppers and shoe soles. This is a completely natural product. Easily broken into any size needed and can be 'drilled' with an awl or ice pick. 

Sponge rock, also known by the name expanded perlite, is a very common ingredient in orchid mixes. Sponge rock decreases compaction of mix, increases aeration and retains moisture.

Good drainage is key for the health of a potted plant. Mesquite charcoal is free of chemical additives, slow to decompose, helps drainage, provides air circulation for orchids, and grabs onto nutrients and toxins in any mix it is incorporated into.

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Handmade by the Huichol tribes of Mexico. This is a vintage woven embroidered bag in vibrant colors with geometric designs. Crossbody strap can be knotted to wear shorter.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

 

Authentic beaded jewelry, handmade by Huichol artisans in Mexico in the 1980's. Each piece is a vibrant link to the rich culture and connection to nature that embodies the Huichol way of life. The intricate bead work depicts many symbols common to the Huichols, such as deer, peyote, flowers, birds, scorpions, snakes and ceremonial arrows.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

Huichol beadwork is far more than decoration. Artists use tiny glass beads in two traditional ways: pressed into beeswax to create intricate mosaics, and carefully strung and woven to form belts, necklaces, purses, and other wearable or functional objects. The vivid designs depict sacred symbols drawn from their spiritual world—deer, maize, peyote, the sun, and ancestral stories. Each piece is both a work of art and a visual prayer, reflecting a deep connection to nature, ritual, and cultural memory passed down through generations.

 

Authentic beaded jewelry, handmade by Huichol artisans in Mexico in the 1980's. Each piece is a vibrant link to the rich culture and connection to nature that embodies the Huichol way of life. The intricate bead work depicts many symbols common to the Huichols, such as deer, peyote, flowers, birds, scorpions, snakes and ceremonial arrows.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

Huichol beadwork is far more than decoration. Artists use tiny glass beads in two traditional ways: pressed into beeswax to create intricate mosaics, and carefully strung and woven to form belts, necklaces, purses, and other wearable or functional objects. The vivid designs depict sacred symbols drawn from their spiritual world—deer, maize, peyote, the sun, and ancestral stories. Each piece is both a work of art and a visual prayer, reflecting a deep connection to nature, ritual, and cultural memory passed down through generations.

 

Authentic beaded jewelry, handmade by Huichol artisans in Mexico in the 1980's. Each piece is a vibrant link to the rich culture and connection to nature that embodies the Huichol way of life. The intricate bead work depicts many symbols common to the Huichols, such as deer, peyote, flowers, birds, scorpions, snakes and ceremonial arrows.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

Huichol beadwork is far more than decoration. Artists use tiny glass beads in two traditional ways: pressed into beeswax to create intricate mosaics, and carefully strung and woven to form belts, necklaces, purses, and other wearable or functional objects. The vivid designs depict sacred symbols drawn from their spiritual world—deer, maize, peyote, the sun, and ancestral stories. Each piece is both a work of art and a visual prayer, reflecting a deep connection to nature, ritual, and cultural memory passed down through generations.

 

Authentic beaded jewelry, handmade by Huichol artisans in Mexico in the 1980's. Each piece is a vibrant link to the rich culture and connection to nature that embodies the Huichol way of life. The intricate bead work depicts many symbols common to the Huichols, such as deer, peyote, flowers, birds, scorpions, snakes and ceremonial arrows.

The Huichol—who call themselves the Wixárika—are an indigenous people of western Mexico whose culture and traditions remain among the most intact in Mesoamerica. They live primarily in remote mountain regions of the Sierra Madre Occidental, in the states of Jalisco, Nayarit, Durango, and Zacatecas.

Huichol beadwork is far more than decoration. Artists use tiny glass beads in two traditional ways: pressed into beeswax to create intricate mosaics, and carefully strung and woven to form belts, necklaces, purses, and other wearable or functional objects. The vivid designs depict sacred symbols drawn from their spiritual world—deer, maize, peyote, the sun, and ancestral stories. Each piece is both a work of art and a visual prayer, reflecting a deep connection to nature, ritual, and cultural memory passed down through generations.